When I first started getting into synthesizers, I was intrigued by the idea that unlike my childhood Casio, a real synth would allow me to create my own sounds from basic building blocks. Not only would the patterns and notes be a way to express a song, but the timbre and sound itself a reflection. I could create a virtual orchestra of unique instruments from my own design. The more I learned about how to shape and control waveforms, the more I was able to understand natural sounds in the world, as in what they are made of and how to sculpt them. I feel it's as much of a tool to understand the world than it is an outlet for creative expression.
Using DSN, I am now thinking more about composition than playing live. Some may say this is easier, but really it makes me think more like a composer than a performer. I do this by selecting the patterns of notes for each instrument, planning out the flow and timing of changes, and deciding what instruments will be in the composition. Is it a challenging mental task? Sometimes. Can anyone do it? I still say yes, because the barrier to entry is low enough that you can get as deep as you feel like going. Just click some options and hit play.
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Richard Kimball is a composer, arranger, and pianist currently residing in Warwick, NY. He is a house pianist at The River Cafe in Brooklyn, NY
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